Demons Sleeping in the Mirror – Sixth Video Online

I decided to upload the music of my Demons Sleeping in the Mirror project on YouTube.

Check out the project here

Check out the lyrics here

Check out the video

Feel free to share your thoughts, comments, feedback!


Behind the Glass #13

This is the last post of the Behind the Glass series. All the post of the series will be available in the Creative Writing category under the Demons Sleeping in the Mirror header. I am going to upload the projects songs sometime next week. I hope you enjoyed these posts providing background information to the respective songs.


Writing this song was like constructing a prophecy. Of course I didn’t know it back then. Demon – the song always kept its working title – dealt with the end of someone’s relationship. Now this someone has become Bino and the song can be applied to his relationship with Amy. Amy is the girl To Forget is about.

“Walking the starlit night” describes Bino leaving the house of a friend of his, seeing the stars and thinking about Amy’s beautiful eyes. Still, he always felt haunted by the demons of his past that he means again and again at different stages of his life. Therefore, “they’re still dancing and screaming”.
In the second verse Bino finds himself further down the spiral of life where everything seem to lie in pieces before him. He’s not that far away from breaking down, not from killing himself. No, killing himself had not been an option for a very long time. So, he’s not literally “dead from dreaming” (verse I).

Amy, at the time of writing, was never to play a part in the chorus. Well, now she does. She was the girl who saved Bino from most of the demons in his life. At least she kept them at a bearable distance. Unfortunately, in the second year of their relationship she turned. She made Bino happy but it was no longer the same happiness that he felt before. Ultimately, she destroyed him and sometimes it feels like he’s still dying from the wounds she inflicted on him.

Nevertheless, those two years also left Bino with a bunch of wonderful memories. Is there beauty in a demon?

Thank you so much for taking the time to read this.

Feel free to comment and share your thoughts.

Behind the Glass #12

There are people who have a real talent for exploiting others. I know some of these people, I suppose we all do, and Parasite is dedicated to those who take and take until there is nothing left. Before deciding on Parasite the song was called Parasite/Leech but leeches can be used to cure people so Parasite it is. I know the word leech is used in the lyrics and that’s how it should be because leeches carry parasites in them and that way they can spread diseases.
This is exactly what human parasites do. They take and take from their host until the latter is nothing more than a shell covered by flesh and bones.

All the verses are written from the perspective of a human host talking to the human parasites around. It’s not necessarily written exclusively from Bino’s point of view although he has his own history of being a host to vampires.
The verses are split into two parts. The first parts of the verses one and two are about what the parasites are doing to the lyrical I while the second parts of those particular verse are the lyrical I announcing that everything will be different from now on. He’s killing the parasite; i.e. getting rid of it. It took him a lot of time to realize what’s being done to him, that he had fallen victim to a deception and now’s the time to turn the tables.
In the third verse, in the first part, the lyrical I is liberating himself from the chains of parasitism, leaving the parasite clutching at straws, licking the last drops of blood from the floor. The second part makes it clear that the lyrical I is free again and the parasite left to find another host.

In the chorus the message is pretty obvious, namely, that all the parasites should think about their behavior and, instead of exploiting others, start to live their own life. Still, there’s too much parasitism going on in life.

Thank you so much for taking the time to read this.

Feel free to comment and share your thoughts.  

Behind the Glass #11

Between the Lover and the Realist

The last part of what was never intended to be a “Monty Trilogy”. It just occurred to me while writing this text. So, officially there will never be a trilogy but only the third song about Monty.
Being given the title My Heart/Your Heart the song was intended to be a dialogue between two lovers. I’ll never know what kind of a dialogue – an argument, discussion etc. – it would have been because the lyrics went in a completely different direction. Therefore, the working title wasn’t fitting at all.
As it turned out the lyrics are indeed a dialogue but not between lovers but two different people; i.e. Person A who is deeply in love and Person B who can see what this love is doing to A. Person A (Monty) sees a different world through a lovers eyes while B (Bino) tries to be realistic about all the lovey-dovey stuff. I guess that explains the title Between the Lover and the Realist although it seems they’re talking at cross purposes.

The verses are split into two parts, the lover’s and the realist’s (written in italics). The lover’s part is sung while the realist’s part is supposed to be rapped. At first the realist’s part was supposed to be the chorus but, well, it turned out quite differently. Between the lover and the realist is the only song that has no chorus – at least not in a classical way. Let us, therefore, speak of verses and counter-verses.

The lover’s verses are a declaration of love expressed in an overly romantic way. Monty sees his beloved as a savior. She’s someone he must cherish and, it seems, worship. He adores that perfect human being before his eyes, completely giving himself to her. His adoration goes from meeting the girl to marrying her or at least thinking about it.

In the counter-verses Bino expresses his view that the most beautiful romances make for the most brutal wars. That was his point of view at the time of writing. Actually, love can be a beautiful thing. Anyways, the realist wants to show the lover what to expect once the romance is over, the feelings gone: total emotional destruction. But the lover dreams on.

The last verse is a mixture, maybe a direct confrontation, between the lover and the realist. But I leave that open to your interpretation.

Thank you so much for taking the time to read this.

Feel free to comment and share your thoughts.  

Behind the Glass #10

Faces Behind Ink

Here, again, we have a song about Monty. Faces Behind Ink alludes to the phenomenon of people hiding their true identity behind all kinds of masks. Oscar Wilde once said:
Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth.

I think there is so much truth to this. Just think about all the people on the internet hiding behind their supposed anonymity. It is nothing but a mask. They post things they’d never say in a face to face conversation. That’s simply the way it is.
In Monty’s case we’re talking about tattoos – Tattoo was also the song’s working title. It’s not a general assumption that tattoo serve as some kind of disguise to those who wear them, don’t get me wrong.

The first line in the first verse is, obviously, an allusion to Macbeth’s soliloquy (Act V, Scene 5) in the play which name must not be mentioned (Macbeth). After he hears of the queen’s death he states that:

Life’s but a walking shadow, a poor player
That struts and frets his hour upon the stage
And then is heard no more

The verse further shows Monty as being someone dominated by multiple personalities. Not as in the case of a multiple personality disorder but rather as someone who acts with and without a mask.
“You don’t even cast a shadow” is an expression of the notion that someone who casts no shadow has no soul. The final two lines are about Bino who should have seen it coming that one day Monty will leave him, i.e. their friendship ends.
In the second verse Bino talks about how Monty has changed: neglecting his friends, no longer caring for soccer and so on. “You don’t even lose a soul” completes the statement about having no soul in the first verse. Those two lines could also have made up part of one verse, e.g. you don’t even cast a shadow/you don’t even lose a soul. However, they may serve as closure for the verses before the last part is repeated.
Dier is a made-up word. It might describe someone who is in the process of dying but not necessary in a literal way. Should it bear any meaning in any other language it is purely coincidental.

In the interlude Bino speaks of a serpent that roams paradise. This serpent, of course, is the girl who manipulated Monty into abandoning all of his friend, maybe all of his former life.

What about Monty’s tattoo? Well, that is the part the chorus deals with. Monty got a tattoo which was the first significant change. A tattoo always represents a deeper meaning. At least most tattoos do. As the heart is usually the place for deeper meanings and feelings getting a tattoo is like wearing part of one’s inner self on one’s sleeve, therefore the lines:

Had it taken from the heart
Had it tattooed on your skin

As I said before, the lyrics might sound angry because that is how I felt at the time. But whatever Monty did I still wish him the best of luck because the way I remember him, he was a nice guy.

Thank you so much for taking the time to read this.

Feel free to comment and share your thoughts.

Behind the Glass #9


This song also deals with Becky and Bino and whatever it is that was between them. It’s always pretty hard to be treated so ambiguously by someone that you care for. It hurts to swing like a pendulum between ignorance and friendship (or more?). Everyone might have stumbled across moments like those in their own life and I guess all you wanted – needed – was Clarity. Knowing where you stand and where to go from there.

Clarity, basically, deals with Bino suffering from Becky’s ignorance. The first verse is about their last meeting having taken place a long time ago. It refers to a special memory where sat in a café where the light always changed its color. When the light turned blue and shone around Becky she looked more beautiful than ever before or after that. She’s still beautiful, don’t get me wrong. The atmosphere was full of feelings and there was something that passed between them. It was one of those moments where you know that both of you know they feel something special but realize it only when it’s too late.
Verse two is simply about Bino being tormented by the arms of the clock and not knowing when or if he’s gonna see Becky again. In the third verse it is obvious that he is pretty sure he won’t see her any time soon or maybe lose her completely to someone else. The memories are about to be buried. Bino and Becky are about to be buried. Whatever was between them is about to die. Or are they already dead? I leave that up to you, as well as the following line:

Explain to me the ashes on the symmetry

I’ll gladly read any of your interpretations. So, if you wanna give it a try, write it down in the comment section or send me an e-mail:

In the – let’s call it – interlude Bino tries to get rid of the memories he shares with Becky. Of course he doesn’t literally want to kill her. Here, too, it’s slightly ambiguous as he wants her to go away but to stay at the same time. But then he wants a definite decision; i.e. clarity.

Finally, the chorus is an expression of Bino’s wish or craving for clarity. Therefore, however, he has to see Becky again and – as mentioned before – he does not know if and when that is gonna happen.

Until today he has seen her again but never received clarity. Last he knows she had or still has a boyfriend. But that’s okay. It’s a good thing she’s happy.

Thank you so much for taking the time to read this.

Feel free to comment and share your thoughts.